G ood Luck, Babe! - music video

Music video produced during the second year of my Master’s degree in Communication & Audiovisual Creation.

Music video produced during the second year of my Master's degree in Communication & Audiovisual Creation.

S etting the scene

This project was carried out during the second year of my second Master’s degree in Communication & Audiovisual Creation at Sup de Pub Lyon.
During this year, we worked on two major projects:
a music video to be fully designed during the first semester, followed by a 30-second advertising concept in the second semester.

making-off 

For this music video, the brief was simple:

Find an artist, propose a narrative concept, and produce and direct the video.

A violinist since the age of six, as well as a singer and passionate about music, I saw this project as an opportunity to create a universe bringing together my two fields: music and audiovisual directing.
My co-director, Julie, who is also a guitarist, naturally shared the same desire to work on such a project.

M y role

Find an artist, propose a narrative concept, and produce and direct the video.

Storytelling concept for the music video

Art direction (sets, costumes, props, overall atmosphere)

Directing (co-directing the shoot, supervising the crew)

Direction of the lead actress and extras

Makeup, hairstyling and styling for the lead actress

Music production

Recording of an original cover
Lead vocals and harmonies
All violin parts
Music production work with a professional musician

Participation in video editing and color grading

How did the idea come about?

A song can be upbeat and luminous, while still being deeply sensitive. Good Luck, Babe! explores an essential theme: the discovery of one’s sexuality. It can be read as a personal inner dialogue, or as a message addressed to someone else.

It was this inner dimension that guided us throughout the writing of the music video.

The main character moves through a festive night where everything appears light on the surface (lights, music, dancing) yet her gaze tells a different story: a mix of confusion, desire, and a truth she can no longer ignore.

This theme allowed us to build a narrative thread blending

seduction, doubt, and self-realization

seduction, doubt, and self-realization

Creative concept

The music video is built around an emotional narrative: in a lively bar, Tina, slightly drunk, flirts with men, but her desire for women gradually grows, confronting her with long-suppressed feelings.

We imagined dance scenes, moments of inner tension revealed through glances, moments of closeness, and moments of drifting…

Our intention was to show what words cannot express, the moment when something shifts within.

The bar becomes an intoxicating space, saturated with multicolored LED lights and neon signs. This atmosphere creates a blurred effect that reflects Tina’s mental state, oscillating between euphoria and confusion. The colors evoke a space of disorientation, but also one of liberation.

Narrative work centered around the theme of emotional revelation

Creation of a moodboard, aesthetic intentions, and narrative directions

Script development

Technical shot list

Casting (lead actress + background dancers)

C reative process

Thinking & writing

Art direction & preparation

Creation of costumes, makeup, and hairstyling

Set design (location choice, lighting, props)

Visual rhythm design (energy, transitions, movement)

Recording of an original cover

Vocal performance and arrangements  (violins, harmonies)

Co-production with a musician/producer (the cover was completed over a single weekend

Music production

Filming & post-production

Co-directing with another student

Directing the lead actress and backgound performers

Set installation

Participation in editing, color grading and color correction

Watch the music video below!

W hat this project taught me

This music video is far from perfect but it is my first fully completed directing project, and one that truly shaped me.
It reflects my versatility, my artistic sensitivity, and my ability to carry a project from start to finish.
Above all, it confirms one essential thing: emotion is always at the heart of strong audiovisual storytelling.

Want to see what else I can do?

S etting the scene

This project was carried out during the second year of my second Master’s degree in Communication & Audiovisual Creation at Sup de Pub Lyon.
During this year, we worked on two major projects:
a music video to be fully designed during the first semester, followed by a 30-second advertising concept in the second semester.

making-off 

For this music video, the brief was simple:

Find an artist, propose a narrative concept, and produce and direct the video

Find an artist, propose a narrative concept, and produce and direct the video

A violinist since the age of six, as well as a singer and passionate about music, I saw this project as an opportunity to create a universe bringing together my two fields: music and audiovisual directing.
My co-director, Julie, who is also a guitarist, naturally shared the same desire to work on such a project.

Storytelling concept for the music video

Art direction (sets, costumes, props, overall atmosphere)

Directing (co-directing the shoot, supervising the crew)

Direction of the lead actress and extras

Makeup, hairstyling and styling for the lead actress

Music production

Recording of an original cover
Lead vocals and harmonies
All violin parts
Music production work with a professional musician

Participation in video editing and color grading

A song can be upbeat and luminous, while still being deeply sensitive. Good Luck, Babe! explores an essential theme: the discovery of one’s sexuality. It can be read as a personal inner dialogue, or as a message addressed to someone else.

It was this inner dimension that guided us throughout the writing of the music video.

The main character moves through a festive night where everything appears light on the surface (lights, music, dancing) yet her gaze tells a different story: a mix of confusion, desire, and a truth she can no longer ignore.

This theme allowed us to build a narrative thread blending

seduction, doubt, and self-realization

seduction, doubt, and self-realization

The music video is built around an emotional narrative: in a lively bar, Tina, slightly drunk, flirts with men, but her desire for women gradually grows, confronting her with long-suppressed feelings.

We imagined dance scenes, moments of inner tension revealed through glances, moments of closeness, and moments of drifting…

Our intention was to show what words cannot express, the moment when something shifts within.

The bar becomes an intoxicating space, saturated with multicolored LED lights and neon signs. This atmosphere creates a blurred effect that reflects Tina’s mental state, oscillating between euphoria and confusion. The colors evoke a space of disorientation, but also one of liberation.

Thinking & writing

Narrative work centered around the theme of emotional revelation

Creation of a moodboard, aesthetic intentions, and narrative directions

Script development

Technical shot list

Casting (lead actress + background dancers)

Art direction & preparation

Creation of costumes, makeup, and hairstyling

Set design (location choice, lighting, props)

Visual rhythm design (energy, transitions, movement)

Music production

Recording of an original cover

Vocal performance and arrangements (violins, harmonies)

Co-production with a musician/producer (the cover was completed over a single weekend)

Filming & post-production

Co-directing with another student

Directing the lead actress and backgound performers

Set installation

Participation in editing, color grading and color correction

W atch the music video below!

W hat this project taught me

This music video is far from perfect but it is my first fully completed directing project, and one that truly shaped me.
It reflects my versatility, my artistic sensitivity, and my ability to carry a project from start to finish.
Above all, it confirms one essential thing: emotion is always at the heart of strong audiovisual storytelling.

W ant to see what else I can do?